martedì 19 gennaio 2016

Beethoven 5, le versioni del Fidelio



DINO VILLATICO

Le diverse versioni del Fidelio (Leonore) confrontate con l’opéra comique di Bouilly e Gaveaux.
Le versioni del 1806 e 1814 sono mostrate con riferimento ai  numeri della versione del 1805.[1]

Gaveaux, 1798            Beethoven, 1805                              Beethoven. 1806         Beethoven, 1814

Léonore, ou L’amour  Fidelio (J. von Sonnleithner)            Leonore, oder Der       Fidelio (Sonnleith-
conjugal                                                                                Triumph der eheli-       ner. rev. Breuning, 
                                                                                             lichen Liebe (Sonn-     G. F. Treitsche)           leithner, rev. G. F.
                                                                                             von Breuning)
                                    Ouverture: Leonore n.2, Do             Ouverture: Leonore     Ouverture : Fide-        n. 3, Do                                                         lio, Mi

Atto 1                                      Atto 1                                         Atto 1                          Atto 1

Aria (Marceline)          1. Aria (Marzelline) “O wär ich       1.  1805/1                    1.   1805/2      
                                    schon”, Do
Duetto (Marceline/      2. Duetto (Marzelline/Jaquino)        2.  1805/2                    2.   1805/1
Jaquino)                       “Jetz, Schätzen”, La
                                    3. Terzetto (Marzelline, Jaquino,      3.  1805/4                    3.   1805/4
                                    Rocco) “Ein Mann ist bald genom-
                                    Men“, Mi b
                                    4. Quartetto (Marzelline, Leonore,  4.   1805/6                   4.   1805/5
                                     Jaquino, Rocco) “Mir ist so wun-
                                    derbar“, Sol
Aria (Roc) Chanson    5. Aria (Rocco) “Hat man nicht       5.   1805/7                   5.   1895/6
                                    auch Gold beineben“, Si b
                                    6. Terzetto (Marzelline, Leonore,     6.   1805/8                   6.   1805/7
                                    Rocco) “Gut, Sönchen, gut”, Fa

                                                Atto 2                                   7.   1805/9                   7.   1805/8

                                    7. Marcia, Si b (forse esclusa).         8.   1805/11                 8.   1805/9
                                    8. Aria (Pizzarro) “Ha! welch ein     9.   1805/10                 9.   1805/11 con
                                    Augenblick”, re/Re                                                              un nuovo recit.
                                    9. Duetto (Pizzarro, Rocco) “Jetzt,  10. 1805/3                   “Abscheulicher!
                                    Alter”, La                                                                             Wo eilst du hin?”
Duetto (Marceline,      10. Duetto (Marzelline, Leonore)    11. 1805/12
Léonore)                      “Um un der Ehe froh zu leben”, Do
Aria (Léonore) “Ro-    11. Recit. e aria (Leonore) “Ach                                          10. Nuovo Finale.
mance”                        brich noch nicht… Komm,
                                    Hoffnung”, Mi
Aria (Léonore) “Air”   12. Finale (Marzelline, Leonore,
Coro (prigionieri)        Rocco, Jaquino, Pizzarro, prigio-
                                    nieri, Si b

         Atto 2                             Atto 3                                         Atto 2                          Atto 2

Recit. e aria (Flore-     13. Recit. e aria (Florestan) “Gott!  12. 1805/13                 11. 1805/13 con
stan) “Romance”         welch Dunkel hier… In des Lebens                                          una nuova sezione
                                    Frühlingstagen”, fa, La b, fa                                                finale: “Und spür
                                                                                                                                 ich nicht linde”, Fa
Duetto (Léonore,        14. Melodram e duetto (Leonore,    13. 1805/14                 12. 1805/14
Roc)                            Rocco) “Nun hurtig fort”, la
Terzetto (Léonore,      15. Terzetto (Leonore, Rocco,         14. 1805/15                 13. 1805/15
Florestan, Roc)            Florestan) “Euch werde Lohn”, La
                                    16. Quartetto (Leonore, Florestan,  15. 1805/16                 14. 1805/16
                                    Rocco, Pizzarro) “Er sterbe!”, Re
Duetto (Léonore,        17. Recit. e duetto (Leonore, Flo-   16. 1805/17                 15. 1805/17 senza
Florestan)                    restan) “Ich kann nicht fassen… O                                      recit.
                                    namenlose Fruede“, Sol
Coro fuori scena
Coro “Final, Choeur    18. Finale (Leonore, Marzelline,      17. 1805/18                 16. 1805718 ma
général”                       Rocco, Florestan, Jaquino,                                                   largamente rielabo-
                                    Pizzarro, Fernando, prigionieri,                                            rato.
                                    popolo), do, Do.


[1] Rielaborazione della “TABLE I: The Gaveaux and Beethoven versions of Fidelio (Leonore)” della voce Fidelio del Grove, Opera, cit.

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